Nigerian singer Akinmayokun Awodumila, better known as May D, has shed light on the challenges he faced during his time with P-Square’s record label, Square Records. Speaking on The Honest Bunch podcast, the artist revealed startling details about his experience, including subpar living conditions, financial struggles, and alleged sabotage of his career.

May D, who signed with Square Records in 2011, disclosed that he lived in uncomfortable quarters at P-Square's mansion throughout his tenure at the label. He recalled how a young Davido, fleeing from his father's strict control, sought refuge in his room but was put off by the poor state of the accommodation.

“When Davido was running from his dad, he came to my room in P-Square’s house, and he was like, ‘May D, is this where you stay? I can’t sleep here oh,’” the singer recounted. “If I had a proper room, it would have been cooler.”

May D also revealed that he did not have a bank account for the four years he spent with Square Records, stating, “It’s only when someone has money that he opens an account.”

The singer accused P-Square of hindering his opportunity to sign with Akon’s Konvict Music. According to him, when Akon expressed interest in signing him during a trip to the U.S. for the Chop My Money Remix video shoot, P-Square allegedly intervened, blocking the deal and leaving him stranded.

May D’s revelations highlight a troubled relationship with Square Records, one that ultimately ended in August 2012 when he parted ways with the label.

Opinion: A Missed Opportunity for Nigerian Music

May D’s story reflects the untold struggles of artists navigating the complexities of the Nigerian music industry. While his talent was undeniable—evidenced by his chart-topping hits during his time at Square Records—the lack of adequate support and alleged sabotage underscores the systemic issues that often plague label-artist relationships.

It’s disheartening to think of what May D could have achieved if given the proper backing. The mention of Akon’s interest in signing him further fuels speculation about the heights his career might have reached under Konvict Music’s international platform. Instead, those dreams were reportedly thwarted by individuals who should have championed his success.

May D’s story also serves as a cautionary tale for up-and-coming artists. It underscores the importance of understanding contracts, securing proper representation, and ensuring fair treatment in an industry where loyalty and trust can sometimes be elusive.

As fans, we can only hope that May D’s experiences do not deter him from pursuing his passion. Despite the setbacks, he remains a testament to resilience, proving that talent can shine even when circumstances aren’t ideal. Perhaps his revelations will spark important conversations about artist welfare and pave the way for a more supportive and transparent music industry in Nigeria.

May D's legacy, though marred by struggles, reminds us of the raw potential that still resides within him. With the right opportunities and a platform that values his artistry, the singer could once again ascend to the spotlight he so richly deserves.